I start with a custom preset based on a B&W Film emulsion but then I need to take into account the different, unique, characteristics of the image. In the past, I used several ways and tools for a black and white conversion but I like the way how Alien Skin Exposure works. It’s important to understand that every single B&W photo is unique and needs its own black and white conversion. There are many ways to correct the luminosity in post-processing: HSL, Gradation Curves, etc. It’s easier to correct moderate underexposure than overexposure. Reconstructing those shadows in the post-processing provokes errors and it's a frustrating thing to do. In overexposed images, you'll lose this shadows and get a flat result. So how do you know how much you need to underexpose the picture? Try to capture the natural shadows on the cheeks, jawline and under the lips on a photo - if you don’t see these shadows then it’s too overexposed. However, these are just guidelines since every camera and light situation is unique - you need to try it out yourself. Depending on the model's skin tone and camera characteristics, for example, 1/3 stops for darker skin to 2/3 for brighter skin. Another tip is to underexpose your portraiture photos. A big advantage is that even if you set your picture style to monochrome, you'll get a full colored RAW file instead of a black and white jpeg. Fine Photography also has a state of the art studio specifically built from the ground up to help capture these award winning images of family portrait photos as well as corporate photos Sydney.First of all, shoot RAW. This experience has resulted in our black and white photos claiming awards by the Al PP and WPPI. Nicholas Fiennes has specialised in black and white images for over 30 years. What makes our black and white photography so special? ![]() A portrait is a piece of art and something you will have for an extended period, so you need to make sure it suits your overall personal style and that of your home. What do you prefer? Finally, the decision comes down to personal taste.The best way to achieve this is with a professional photographer in a customised studio environment where there is control over lighting, exposure and background shadows. Technical limitations and lighting Black and White works best with dramatic and highly contrasted pictures.If the portrait visually portrays exactly what you want in black and white, then adding a colour can weaken the subject. One way of looking at it is using black and white as the default and only add colour if you think it brings something to the picture. What's the vantage point of your portrait? The use of black and white leaves more to the imagination so in theory the brain replaces the missing colours but in a creative way.What's the goal of your portrait? If you are wanting to stick with tradition and make the people in the portrait stand out without distraction go with black and white.A black and white portrait shines when you want the feelings to be conveyed through a photograph. It goes to the roots of photography itself. You can create a dramatic look to your images and black and white draws the most attention to textures and shapes. Since the world is in colour when we see a portrait in black and white, we are in some ways transported to another time. Why choose black and white vs colour photography? Black and white leaves you with the differences between dark and light tones allowing the use of light, shadow, shape and space, to accentuate contrast in a print. The viewers eye is drawn to the subject and the elements of composition. ![]() There needs to be strong dimensions to highlight the subject in the photograph, accentuating the light and shadows in the image. When you take away colour, you are taking away one of the ways the viewer reads your portrait. Texture in a photograph cannot be felt or touched it is perceived by our eyes to decide if it is rough or smooth. People are often surprised at the power black and white images have. Taking the best black and white photosĪs there are only two primary colours, this type of photography is simple and direct and allows you to decide on the visual statement you wish to make. This is why there is such a difference in results when colour photography has been converted to black and white. But the approach to taking these photos is vastly different to how a photographer would take colour photos. ![]() These photos are only in shades of grey, ranging from black and white. Put simply, black and white photography is the production of monochrome images.
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